G12. Children's: age of the lead, level of peril, humour. AI
Genre craft. One line per book. Open a book for the full answer, charts and cited lines.
| Book | Genre | Result |
|---|---|---|
| Treasure Island | Thriller and adventure | Jim is a boy of about thirteen to fifteen. Peril is genuine and characters die, but the tone is adventure rather than dark. Humour appears in Jim's observations and Silver's charm. The book suits older children and … |
| The Thirty-Nine Steps | Thriller and adventure | Not a feature of this book. The lead is an adult man. Peril is serious and lethal. Humour is sparse and dry, not suited to children. |
| The Prisoner of Zenda | Thriller and adventure | |
| Around the World in Eighty Days | Thriller and adventure | Not a children's book. Fogg is an adult gentleman. Peril is real: Passepartout is drugged, the Sioux attack kills, the ship burns. Humour is present but dry and adult. The book is aimed at adult readers interested in … |
| King Solomon's Mines | Thriller and adventure | Not a feature of this book. The lead is fifty-five years old, not a child. Peril is real and fatal (Khiva, Ventvögel, Foulata die). Humour is dry and sparse. The book is adult adventure, not children's literature. |
| The Hound of the Baskervilles | Crime and mystery | |
| A Study in Scarlet | Crime and mystery | Not a feature of this book. The book is written for adult readers with mature themes of murder, revenge, and religious persecution. |
| The Adventures of Sherlock Holmes | Crime and mystery | Not a feature of this book. The lead is an adult detective and the narrator is an adult doctor. The content includes violence and murder unsuitable for children. |
| The Moonstone | Crime and mystery | Not a feature of this book. The lead is an adult man. Peril is psychological and social, not physical. Humour is present but dry and adult-oriented, not suited to children. |
| The Woman in White | Crime and mystery | Not a feature of this book. The novel is written for adult readers with complex themes of crime, sexuality, and social corruption. The lead is an adult man, and the peril is serious and sustained. |
| Pride and Prejudice | Romance | Not a feature of this book. Elizabeth is 20 years old, an adult. The novel is not written for children; it deals with adult concerns like marriage, sexuality, and social reputation. The humour is sophisticated and … |
| Persuasion | Romance | Not a feature of this book. The novel is adult fiction with an adult heroine aged 27. There is no peril to children, and the humour is sophisticated and ironic rather than suited to young readers. The themes of … |
| Emma | Romance | Not a feature of this book. Emma is an adult novel with a twenty-one-year-old heroine. There is no children's content, age-appropriate peril, or humour aimed at young readers. |
| Jane Eyre | Romance | Not a feature of this book. Jane Eyre is an adult novel with a protagonist who ages from ten to thirty. The peril is psychological and moral rather than physical. There is no humour; the tone is serious and … |
| Dracula | Gothic and horror | Not a feature of this book. The novel is adult Gothic horror with mature themes including sexuality, death, and corruption. The lead character Jonathan is an adult solicitor. The peril is extreme and graphic. There … |
| Frankenstein | Gothic and horror | Not a feature of this book. Victor is an adult university student; the creature is an adult. The peril is extreme and unrelenting: multiple murders, executions, and deaths. There is no humour. The themes are adult: … |
| Strange Case of Dr Jekyll and Mr Hyde | Gothic and horror | |
| The Picture of Dorian Gray | Gothic and horror | Not a feature of this book. Dorian is an adult, the peril is moral and psychological rather than physical, and there is no humour. The book is not written for children. |
| Wuthering Heights | Gothic and horror | Not a feature of this book. The leads are adults (Catherine Earnshaw, Heathcliff) or near-adults (young Catherine, Hareton). The book contains violence, sexual abuse, and psychological torment unsuitable for … |
| The Turn of the Screw | Gothic and horror | Not a feature of this book. The lead is an adult governess, not a child. The children are secondary characters. The peril is psychological and supernatural, not physical adventure. There is no humour. The book is … |
| The Time Machine | Science fiction | Not a feature of this book. The Time Traveller is an adult scientist. The peril is genuine and deadly. There is no humour. |
| The War of the Worlds | Science fiction | Not a feature of this book. The narrator is an adult, the peril is extreme and lethal, and the tone is serious rather than humorous. |
| The Invisible Man | Science fiction | Not a feature of this book. The lead is an adult scientist. The peril is extreme and violent. There is no humour. The book is written for adult readers. |
| Alice's Adventures in Wonderland | Fantasy and children's | Alice is a child, roughly seven years old. Peril is low; threats of beheading are revealed as hollow. Humour is constant through wordplay, nonsense logic, and absurd situations. |
| The Wonderful Wizard of Oz | Fantasy and children's | Dorothy is a young girl, appropriate for the target audience. Peril is present but not graphic: the Witch enslaves Dorothy but does not harm her physically. Humour appears in the Scarecrow's wordplay, the Cowardly … |
| The Secret Garden | Fantasy and children's | Mary is ten years old at the start, Colin is younger. Peril is emotional: neglect, isolation, illness, and fear of death. Humour is gentle, arising from Yorkshire dialect and Mary's contrary nature. The tone is warm … |
| The Wind in the Willows | Fantasy and children's | Children's book with animal leads (Mole, Rat, Toad, Badger). Peril is moderate: imprisonment, drowning, pursuit. Humour is gentle and abundant: Toad's vanity, Mole's mistakes, the Sea Rat's seduction. Age appeal is … |
| Great Expectations | Literary | Not a feature of this book. Pip begins as a child but the narrative spans his growth to adulthood. The book is not written for children; it contains complex moral themes and adult concerns. |
| A Christmas Carol | Literary | |
| The Great Gatsby | Literary | Not a feature of this book. The novel is adult literary fiction, not children's literature. Nick is an adult narrator reflecting on adult themes of desire, wealth, and moral failure. |
| Heart of Darkness | Literary | |
| Kidnapped | Thriller and adventure | Not a feature of this book. David is a young man (around 17 to 18), not a child. The book contains violence, murder, and serious peril unsuitable for children. The tone is adult and the themes complex. |
| The Count of Monte Cristo | Thriller and adventure | Not a feature of this book. The lead is an adult (Dantès is in his twenties at the start), the peril is serious and often fatal, and the tone is sophisticated. This is an adult novel, not a children's book. |
| The Three Musketeers | Thriller and adventure | Not a feature of this book. D'Artagnan is a young adult, not a child. The peril is real and deadly: characters are poisoned, executed, and killed in duels. The tone is sophisticated, not humorous or whimsical. |
| The Riddle of the Sands | Thriller and adventure | Not a feature of this book. Carruthers is an adult (a Foreign Office clerk), not a child. The peril is genuine and deadly, not softened for young readers. The humour is sophisticated and ironic, not slapstick. The … |
| The Scarlet Pimpernel | Thriller and adventure | Not a feature of this book. The lead character is an adult (Sir Percy, around thirty) and the book is written for adult readers. The peril is serious and the tone is sophisticated, not aimed at children. |
| The Lost World | Thriller and adventure | Not a feature of this book. Malone is an adult reporter, not a child. The peril is genuine and deadly, with characters killed and the party trapped. Humour is present but dry and adult-oriented. |
| Captain Blood | Thriller and adventure | Not a feature of this book. The lead is an adult man, the peril is extreme and violent, and the tone is serious rather than humorous. This is adult adventure fiction, not children's literature. |
| Lady Audley's Secret | Crime and mystery | Not a feature of this book. The novel is written for adult readers and contains no child protagonists, though children appear as minor characters. |
| The Murders in the Rue Morgue | Crime and mystery | Not a feature of this book. The lead is an adult, and the tone is serious rather than humorous. |
| The Innocence of Father Brown | Crime and mystery | Not a feature of this book. It is written for adult readers with complex moral themes and sophisticated dialogue unsuitable for children. |
| The Big Bow Mystery | Crime and mystery | Not a feature of this book. This is an adult mystery novel with no child protagonist and serious peril including execution. |
| The Leavenworth Case | Crime and mystery | Not a feature of this book. The lead is an adult lawyer, not a child. The novel is adult crime fiction with no juvenile audience in mind. |
| The Red Thumb Mark | Crime and mystery | Not a feature of this book. The lead is an adult doctor, not a child. The peril is serious (theft, murder attempts, imprisonment) and the tone is adult. There is minimal humour. |
| The Amateur Cracksman | Crime and mystery | Not a feature of this book. The leads are adult men, the peril is serious (murder, imprisonment, death), and humour is dry and sophisticated rather than child-friendly. |
| The Secret Agent | Crime and mystery | Not a feature of this book. The lead is an adult man, not a child. The peril is adult and moral, not suited to children. There is no humour. |
| Sense and Sensibility | Romance | Not a feature of this book. The novel is written for adult readers and centres on women in their late teens and twenties navigating marriage and financial security. |
| North and South | Romance | Not a feature of this book. Margaret is an adult woman, not a child. The novel is written for adult readers and deals with mature themes including religious doubt, industrial conflict, and romantic love. |
| Far from the Madding Crowd | Romance | |
| The Enchanted April | Romance | |
| The Sheik | Romance | Not a children's book. Diana is an adult woman, the peril is sexual and violent, and the themes involve adult relationships and power dynamics. The book is aimed at adult readers. |
| Daddy Long Legs | Romance | Not a feature of this book. The lead is an adult college student, not a child. The book is adult romance and literary fiction, not children's literature. |
| Carmilla | Gothic and horror | |
| The Castle of Otranto | Gothic and horror | Not a feature of this book. The lead character Manfred is an adult prince, not a child. The peril is severe and tragic, including murder and death. The tone is serious and dark, with no humour. |
| The Phantom of the Opera | Gothic and horror | Not a feature of this book. The lead character Christine is an adult soprano, not a child. The peril is genuine and deadly, not softened for young readers. The tone is gothic and psychological, not humorous or … |
| The Great God Pan | Gothic and horror | Not a feature of this book. The book is adult horror with no child protagonist and extreme peril unsuitable for children. |
| The Yellow Wallpaper | Gothic and horror | Not a feature of this book. This is adult literary horror, not children's fiction. |
| The Call of Cthulhu | Gothic and horror | Not a feature of this book. The narrator is an adult scholar, not a child. The peril is existential and psychological rather than physical. There is no humour; the tone is grave and increasingly despairing throughout. |
| The Island of Doctor Moreau | Science fiction | Not a feature of this book. Prendick is an adult (implied to be in his twenties or thirties). The peril is extreme and the themes are mature. No humour is present. |
| Journey to the Centre of the Earth | Science fiction | Not a feature of this book. Harry is an adult (implied to be in his twenties), the peril is genuine and life-threatening, and the tone is serious rather than humorous. The book is written for adult readers. |
| A Princess of Mars | Science fiction | |
| Herland | Science fiction | Not a feature of this book. The leads are adult men, not children. The peril is intellectual and emotional, not physical. Humour is present but dry and satirical, not slapstick. |
| Flatland | Science fiction | |
| Erewhon | Science fiction | Not a feature of this book. The narrator is an adult seeking fortune. Peril is intellectual and social rather than physical. Humour is satirical and philosophical, targeting Erewhonian morality and English hypocrisy. … |
| The Last Man | Science fiction | Not a feature of this book. Lionel is an adult protagonist, the novel contains graphic descriptions of plague death, and the tone is tragic rather than humorous. The book is aimed at adult readers. |
| Through the Looking Glass | Fantasy and children's | Alice is a child (implied young). Peril is minimal; danger is absurd rather than real. Humour is constant through wordplay, illogic, and character absurdity. Tone is playful throughout. |
| A Little Princess | Fantasy and children's | Sara is seven at the start and eleven by the climax, fitting the children's book age range. Peril is emotional and social rather than physical. Humour is gentle and often comes from Sara's imagination and her … |
| The Jungle Book | Fantasy and children's | The lead characters are young: Mowgli is a boy, Kotick is a seal pup, Rikki-tikki is a small mongoose, Toomai is a child. Peril is real but not graphic. Shere Khan hunts Mowgli. Cobras threaten Rikki-tikki's family. … |
| Five Children and It | Fantasy and children's | The leads are children aged roughly 8 to 12. Peril is present but not graphic: kidnapping, hunger, being trapped, threats of scalping. Humour is frequent through wish mishaps and the children's reactions. The tone is … |
| The Railway Children | Fantasy and children's | The leads are aged 10 to 15, appropriate for the audience. Peril is real but not graphic: a rockfall, a tunnel accident, a fire. Humour is gentle and situational. The book balances adventure with emotional depth and … |
| The Princess and the Goblin | Fantasy and children's | The lead is a young princess, roughly 8 to 10 years old. Peril is real but not graphic: goblins threaten capture and transformation, not death. Humour appears in Curdie's rhyming songs (chapter 19) and the goblins' … |
| Peter and Wendy | Fantasy and children's | The lead is a boy of indeterminate age who never grows. Peril is real: Wendy is shot, Peter is poisoned and wounded, children are captured for execution. Humour is present in Mr. Darling's foolishness and Peter's … |
| The Worm Ouroboros | Fantasy and children's | The lead is adult (Juss is thirty-three by the end). Peril is genuine and characters die (Gro, Prezmyra, Corinius, Corund). Humour is minimal and archaic in tone. The book reads as adult epic fantasy with some … |
| Anne of Green Gables | Fantasy and children's | Anne is eleven at the start and eighteen at the end. Peril is emotional and social rather than physical, though chapter 23 includes a broken ankle and chapter 28 includes near-drowning. Humour is gentle and … |
| Black Beauty | Fantasy and children's | Lead is a horse (not human child), so age is metaphorical. Peril is real: horses die, suffer, are worked to death. Humour is minimal and gentle. Tone is serious moral instruction. |
| Middlemarch | Literary | |
| Tess of the d'Urbervilles | Literary | Not a feature of this book. Tess is an adult (16 to 20 during the main action), and the peril is sexual and social, not suited to children. The tone is tragic and the themes are adult. |
| Mrs Dalloway | Literary | |
| To the Lighthouse | Literary | |
| Anna Karenina | Literary | |
| Crime and Punishment | Literary | Not a feature of this book. Raskolnikov is a young man, not a child. The themes of murder, prostitution, and moral philosophy are adult. There is no humour or age-appropriate peril. |
| Madame Bovary | Literary | Not a feature of this book. Emma is an adult woman, not a child. The novel contains adult themes of adultery, suicide, and financial ruin. The tone is tragic and sophisticated, not suited to children. |
| The Age of Innocence | Literary | Not a feature of this book. The novel is adult literary fiction, not children's literature. Archer is a young man navigating adult social and romantic dilemmas. |
| Silas Marner | Literary | |
| Adventures of Huckleberry Finn | Literary | Huck is a boy of about thirteen. Peril includes his abusive father, drowning, murder, and slavery. Humour is present throughout in Huck's voice, Tom's schemes, and the con men's antics. The book is suitable for older … |
| Hamlet | Plays | Not a feature of this book. Hamlet is a young adult prince, not a child. The play contains adult themes of murder, madness, and suicide. It is written for mature audiences, not children. |
| Macbeth | Plays | Not a feature of this book. Macbeth is a tragedy for adult audiences, not a children's book. The lead is an adult warrior, and the peril is deadly. |
| Romeo and Juliet | Plays | Not a feature of this book. The play is not children's literature. Romeo and Juliet are young, but the themes are adult: love, death, family conflict, and suicide. The peril is real and fatal. Humour is present but … |
| Othello | Plays | Not a feature of this book. Othello is written for adult audiences. The lead is a mature military general, not a child. The themes of jealousy, murder, and infidelity are adult, and the language is complex. |
| A Midsummer Night's Dream | Plays | |
| Twelfth Night | Plays | Not a feature of this book. The play is written for adult audiences. Viola is a young woman, but the themes of love, deception, and social status are mature. Humour is witty and sophisticated, not childlike. |
| Doctor Faustus | Plays | Not a feature of this book. The play is not children's literature. Faustus is an adult scholar, the peril is existential damnation, and the tone is serious and tragic. |
| The Importance of Being Earnest | Plays | Not a feature of this book. This is not a children's book. The lead is an adult, the humour is sophisticated and satirical, and there is no peril. |
| A Doll's House | Plays | Not a feature of this book. The play is not children's literature. It deals with adult themes of marriage, morality and identity. |
| Hedda Gabler | Plays | Not a feature of this book. The play is written for adult audiences and deals with mature themes of manipulation, sexuality, and suicide unsuitable for children. |
| Pygmalion | Plays | Not a feature of this book. The play is written for adult audiences and deals with complex social and emotional themes unsuitable for children. |
| The School for Scandal | Plays | Not a feature of this book. The play is written for adult audiences and concerns adult social and moral issues. |
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