C11. Banter and humour patterns. AI
Dialogue and voice. One line per book. Open a book for the full answer, charts and cited lines.
| Book | Genre | Result |
|---|---|---|
| Treasure Island | Thriller and adventure | Humour is sparse and dark. Jim's quip about striking the pirate flag (Ch 25, quote 67) shows wit under pressure. Silver's comment about bishops (Ch 31, quote 82) uses irony. The black spot ceremony (Ch 29) is darkly … |
| The Thirty-Nine Steps | Thriller and adventure | Humour is dry and understated. Hannay's self-deprecating remarks about becoming a liar and highwayman (Chapter 5). Sir Harry's naive political optimism contrasts with Hannay's urgency. The old man's calm revelation … |
| The Prisoner of Zenda | Thriller and adventure | Humour is sparse and dark. Chapter 9 uses the tea-table fight as absurdist comedy. Chapter 13 uses Rupert's audacious stabbing as darkly comic. Chapter 15 uses Rupert's tempting offer as ironic. Most humour comes … |
| Around the World in Eighty Days | Thriller and adventure | Humour is dry and understated. Passepartout's exclamations contrast with Fogg's calm (Ch 2, quote 1). Fix's scheming is undercut by Fogg's resourcefulness (Ch 20, quote 49). Proctor's aggression is mocked by Fogg's … |
| King Solomon's Mines | Thriller and adventure | Humour is sparse and situational. Chapter 7: Good's false teeth trick is played for comic effect (13). Chapter 12: Recovery of Good's trousers provides light relief (26). Chapter 18: Grim humour in facing death … |
| The Hound of the Baskervilles | Crime and mystery | Humour is sparse and dry. Ch1: Holmes's deductions amuse Watson (quote 1, conductor of light). Ch3: Holmes's theories are presented with irony. Ch4: Holmes's cab pursuit has light irony. Ch15: Holmes's final remarks … |
| A Study in Scarlet | Crime and mystery | Humour is dry and rare. Holmes's wit appears in Chapter 2 when he mocks Watson's deductions. Chapter 14 ends with Holmes's Latin quote about applauding himself while counting money, a sardonic joke about public credit. |
| The Adventures of Sherlock Holmes | Crime and mystery | Banter is light. Holmes teases Watson gently about his deductions. Watson admires Holmes with dry humour. In Chapter 7, Holmes jokes about the hat owner's life. In Chapter 10, Holmes and Watson discuss the St. Simon … |
| The Moonstone | Crime and mystery | Humour is sparse and often dark. Chapter 26 contains gentle humour when Sergeant Cuff argues with the gardener about roses (quote 46). Chapter 5 has mild humour in Betteredge's struggle to write and his reliance on … |
| The Woman in White | Crime and mystery | Humour is sparse and dark. Marian's wit about Mr. Fairlie (c6, q12) provides relief. Pesca's exuberance (c1 to 2) offers comic contrast. Fosco's self-praise (c47, q125) is darkly comic. Most humour comes from character … |
| Pride and Prejudice | Romance | Banter between Elizabeth and Darcy uses wit, paradox, and teasing (Chapters 11, 18, 31). Elizabeth teases Mr. Collins with mock seriousness (Chapter 19). Darcy and Elizabeth debate pride and defects (Chapter 11). … |
| Persuasion | Romance | Humour is gentle and ironic rather than witty banter. Ch 1 Sir Walter's vanity about the Baronetage. Ch 6 the Musgroves' simple concerns. Ch 9 Charles Hayter's displacement by Wentworth. Ch 15 Sir Walter's delight in … |
| Emma | Romance | Banter is frequent between Emma and Knightley, with witty sparring about character and judgment (Chapters 1, 5, 8, 18). Emma and Frank Churchill engage in playful teasing about the pianoforte (Chapter 26). Humour … |
| Jane Eyre | Romance | Humour is sparse and often ironic. Chapter 13: Jane's dry observation of Rochester's questions. Chapter 16: Jane's self-deprecating portraits. Chapter 19: The gypsy fortune-teller scene contains playful banter. … |
| Dracula | Gothic and horror | Humour is sparse and dark. Seward's self-deprecating remarks about his unrequited love (Ch 5). Van Helsing's occasional wry observations. The overall tone is gothic and serious, with little banter. Moments of levity … |
| Frankenstein | Gothic and horror | Banter and humour are absent. The novel is relentlessly serious and tragic. Walton's letters contain mild irony about his ambitions (Ch 1 to 2). The creature's speech contains bitter sarcasm about human society (Ch … |
| Strange Case of Dr Jekyll and Mr Hyde | Gothic and horror | Humour is minimal and dark. Enfield's gossipy tone in Ch 1 provides light relief. Utterson's dry observations offer occasional irony. The book's tone is predominantly serious and Gothic, with no banter. |
| The Picture of Dorian Gray | Gothic and horror | Humour is primarily Lord Henry's domain: witty paradoxes ('only one thing worse than being talked about', Q1), cynical observations about society and morality (Q5, Q18). Banter between Lord Henry and Basil (Ch 1 to 2) … |
| Wuthering Heights | Gothic and horror | Humour is sparse and dark. Lockwood's self-deprecation (Ch 1, Q3) provides light relief. Nelly's dry observations offer irony. Young Catherine's mockery of Hareton (Ch 31) is sharp but affectionate. Most humour comes … |
| The Turn of the Screw | Gothic and horror | Humour is minimal and dark. Miles's 'Think me bad!' (Chapter 11) is playful but sinister. The governess's observations contain dry irony about the children's innocence. No banter; dialogue is tense and loaded with … |
| The Time Machine | Science fiction | Humour is minimal and dry. Chapter 1 contains light scepticism from guests. Chapter 3 has the Time Traveller's wry comment about living eight days. Chapter 6 has his sardonic observation about communism. Overall tone … |
| The War of the Worlds | Science fiction | Humour is minimal and dark. Chapter 7: narrator's collar bursts in panic (quote 21). Chapter 20: curate's helplessness is noted with grim irony (quote 47). Chapter 24: artilleryman's grandiose plans are undercut by … |
| The Invisible Man | Science fiction | Humour is sparse and dark. Henfrey's discomfort (Ch 2, Q4), Cuss's terror (Ch 4, Q12), Marvel's nervous denials (Ch 14, Q37), the absurdity of invisible violence (Ch 12, Q30). Humour emerges from incongruity and fear … |
| Alice's Adventures in Wonderland | Fantasy and children's | Humour comes from nonsense logic: riddles with no answers (Chapter 7), impossible croquet (Chapter 8), garbled recitations (Chapter 10), and absurd trial evidence (Chapter 11). Wordplay appears in the Caterpillar's … |
| The Wonderful Wizard of Oz | Fantasy and children's | Humour is gentle and situational. Scarecrow's foolish logic (Q7, Q9). Lion's cowardice revealed as bluster (Q16, Q17). Oz's humbug exposed (Q42). China Princess's vanity (Ch 20). Hammer-Heads' absurdity (Ch 22). … |
| The Secret Garden | Fantasy and children's | Humour is gentle and situational: Mary's contrary nature creates comic moments (ch 4, q4). Dickon's charm with animals provides light relief (ch 10, 15). Colin's dramatic declarations are humorous (ch 23, q46). … |
| The Wind in the Willows | Fantasy and children's | Humour is gentle and character-driven: Toad's boastfulness, Mole's earnestness, Rat's devotion, Badger's dry wisdom. Slapstick appears in Toad's crashes and escapes. Wordplay is rare. Humour serves to reveal … |
| Great Expectations | Literary | Humour is sparse and often bitter. Chapter 9, Pip's elaborate lies about Miss Havisham's house create comic relief. Chapter 21, the recognition between Pip and Herbert as the pale young gentleman is humorous. Chapter … |
| A Christmas Carol | Literary | Humour is dark and ironic. Scrooge's 'If they would rather die, they had better do it, and decrease the surplus population' is cruel wit. Fred's warmth contrasts with Scrooge's coldness. The pawnbroker's haggling … |
| The Great Gatsby | Literary | Humour is sparse and dark. Daisy's comment about foolish girls is wry (Ch 1). Gatsby's claim to have attended Oxford is absurd (Ch 7). Wolfshiem's boast about fixing the World Series is darkly comic (Ch 4). Tone is … |
| Heart of Darkness | Literary | Humour is minimal and dark. Marlow's ironic observations about the Company and colonialism provide occasional wit. The Russian trader's naive devotion to Kurtz has an absurd quality. Overall tone is grave and … |
| Kidnapped | Thriller and adventure | Humour is sparse and dark. Chapter 26: Alan jokes about David's ragged appearance (quote 70). Chapter 11: Alan cuts a button from his coat as a token (quote 28), mixing humour with sentiment. Chapter 23: Cluny's … |
| The Count of Monte Cristo | Thriller and adventure | Banter is rare; the novel favours serious dialogue. Ch 40 has light banter at the breakfast (Beauchamp and Debray joke). Ch 36 has Carnival levity. Ch 53 has Albert's witty comment about the opera. Most dialogue is … |
| The Three Musketeers | Thriller and adventure | Banter appears in the Musketeers' camaraderie (Chapter 7, witty exchanges); in D'Artagnan's flirtation with Milady (Chapter 35, verbal sparring); in Porthos's flattery of the procurator's wife (Chapter 29, playful … |
| The Riddle of the Sands | Thriller and adventure | Humour is sparse and dry. Chapter 6: Davies apologises for being a 'selfish brute' with self-deprecating charm. Chapter 12: Carruthers notes that grounding is good for a sit-down lunch. Chapter 24: Carruthers uses … |
| The Scarlet Pimpernel | Thriller and adventure | Banter is frequent and witty, especially between Marguerite and Percy. Chapter 6 shows their verbal sparring over the duel challenge. Chapter 11 shows Marguerite's defiant wit about the Pimpernel. Chapter 16 shows … |
| The Lost World | Thriller and adventure | Humour is dry and understated. Malone's self-deprecation ('I was the hero,' ch 11, quote 24). Roxton's laconic observations. Challenger's pomposity. Banter between Malone and Roxton grows warmer as they bond. Humour … |
| Captain Blood | Thriller and adventure | Humour is sparse and dry. Chapter 1: Blood's quip about his worth as a slave. Chapter 31: M. d'Ogeron's comment about Blood's fondness for poetry and apple-blossoms. Most humour comes from Blood's sardonic … |
| Lady Audley's Secret | Crime and mystery | Humour is sparse and dark. Chapter 4 contains mild wit when Robert greets George. Chapter 6 has light banter between Robert and George about travel plans. Chapter 11 includes Robert's dry observation about Lady … |
| The Murders in the Rue Morgue | Crime and mystery | Humour is minimal. Section 1 contains a brief joke about Chantilly the actor. The tone is serious and analytical throughout. No banter patterns. |
| The Innocence of Father Brown | Crime and mystery | Humour is dry and observational. Chapter 1: odd pranks (salt and sugar swapped, soup thrown at wall) create comic absurdity. Chapter 6: Father Brown's questions about footsteps are gently comic. Chapter 18: the … |
| The Big Bow Mystery | Crime and mystery | Humour is dry and intellectual. Grodman's scorn for Wimp (Ch 4, quote 9) is witty. The coroner's bafflement (Ch 3) is darkly comic. Denzil's poverty and poetic pretension (Ch 5 to 6) are satirical. Wimp's domestic life … |
| The Leavenworth Case | Crime and mystery | Humour is sparse. Light moments appear in Chapter 15 when Gryce jokes about his appearance, and in Chapter 17 when Raymond encounters the mysterious Mr. Robbins. Most dialogue is serious and investigative. Banter is … |
| The Red Thumb Mark | Crime and mystery | Humour is minimal and dry. Thorndyke's comment about Hippocrates hiding under Solon's gown (Ch1, quote 1) is witty. Reuben's description as 'a deuced good sort' (Ch9, quote 17) is light. Most dialogue is serious and … |
| The Amateur Cracksman | Crime and mystery | Banter is light and frequent between Raffles and Bunny, using cricket metaphors and wordplay. Chapter 2 opens with 'The Ides of March' joke. Chapter 4 uses cricket strategy as metaphor for crime. Chapter 6 uses … |
| The Secret Agent | Crime and mystery | Humour is minimal and dark. The Professor's calm superiority produces ironic humour. Ossipon's robust confidence contrasts with his later dread. No banter; dialogue is tense and purposeful throughout. |
| Sense and Sensibility | Romance | Humour is gentle and ironic rather than broad. Mrs. Jennings's gossiping and matchmaking attempts provide comic relief (Ch 8, Ch 27). Robert Ferrars's conceit and shallow remarks amuse Elinor (Ch 36). Marianne's … |
| North and South | Romance | Humour is sparse and dry. Chapter 40: Mr. Bell's jesting about Oxford annoys Thornton. Chapter 39: Thornton's wry comment 'we neither of us can think much worse of the other' (quote 100). Chapter 17: Higgins's … |
| Far from the Madding Crowd | Romance | Humour is sparse and often dark. Gabriel's smile is described as spreading to his ears (1). Cain Ball's rambling speech about Bath is comic (33). Joseph Poorgrass's weakness for drink is treated with gentle irony … |
| The Enchanted April | Romance | Humour is gentle and ironic. Chapter 14: Mellersh's bathroom mishap (physical comedy). Chapter 15: Mrs. Wilkins's cheerful confession of her nest-egg (comic relief). Chapter 18: Mrs. Fisher's unexpected laughter … |
| The Sheik | Romance | Humour is minimal. The book is serious and intense. Light moments occur in Chapter 1 at the hotel dance but are quickly overshadowed by the abduction. |
| Daddy Long Legs | Romance | Humour patterns include Jerusha's self-deprecating observations about her orphan background, her witty descriptions of college life, and her ironic reflections on her invented family history. Chapter 4 contains … |
| Carmilla | Gothic and horror | Humour is minimal and dark. Carmilla's refusal to attend funerals (ch 4) is darkly comic. The General's ironic comment about 'righteous and merciful purpose' (ch 2) is grim. Most dialogue is serious or intimate. The … |
| The Castle of Otranto | Gothic and horror | Humour is minimal. The book is Gothic and tragic in tone. Bianca provides occasional light moments with her gossip (Ch 2, 4), but these are brief. The overall register is serious, with no banter or comic relief. Tone … |
| The Phantom of the Opera | Gothic and horror | Humour is sparse and dark. The managers' dismissal of the ghost as a prank in Chapter 3 is played for irony. The safety-pin scheme in Chapter 17 has comic elements of frustration. Erik's ventriloquism demonstration … |
| The Great God Pan | Gothic and horror | Humour is minimal. The book maintains gothic horror tone throughout. Occasional dry observations by Clarke provide slight relief but no banter or comic exchanges occur. |
| The Yellow Wallpaper | Gothic and horror | There is no banter or humour in this story. The tone is serious and increasingly dark. Jennie's cheerfulness is not humorous but rather a marker of her alignment with John's dismissal. |
| The Call of Cthulhu | Gothic and horror | Banter and humour are absent. The tone is consistently grave and investigative. No jokes or light exchanges occur. The only irony is the narrator's discovery that knowledge brings only doom, not safety. |
| The Island of Doctor Moreau | Science fiction | Humour is dark and sparse. Prendick laughs at drowning men (1, quote 3). Montgomery's drunken rambling (19) is darkly comic. The Sayer of the Law's chanting (12) is grotesque rather than humorous. Tone is serious and … |
| Journey to the Centre of the Earth | Science fiction | Humour is sparse and dark. Chapter 9: Harry's comment on the horse's intelligence (quote 19). Chapter 29: Harry names the sea 'Port Gretchen' (quote 64). Chapter 41: Harry's memory of sausage and beer (quote 93). … |
| A Princess of Mars | Science fiction | Humour is sparse. Chapter 10: Carter's description of Woola's smile provides light relief. Chapter 13: Carter's awkward courtship attempts create gentle humour. Chapter 20: the old man's obsession with the atmosphere … |
| Herland | Science fiction | Humour is gentle and intellectual. Jeff makes mischievous remarks about population numbers. The men joke about their helplessness. Terry's aggression is not played for laughs. Humour serves to lighten tension rather … |
| Flatland | Science fiction | Humour is sparse and intellectual. The narrator jokes about women's danger (chapter 4). The Sphere mocks the Square's ignorance (chapter 17, 'Pooh! what do you know of Space?'). The Square's argument about the fourth … |
| Erewhon | Science fiction | Humour is primarily satirical: the Musical Banks are absurd (Ch 15), the birth mythology is ridiculous (Ch 19), the animal rights laws are illogical (Ch 26 to 27). Chowbok's mime is darkly comic (Ch 2). The narrator's … |
| The Last Man | Science fiction | Banter is rare. The novel is predominantly serious and reflective. Light moments appear in Chapter 6 when Raymond and Perdita are described as 'prattling, playful children' (quote 13). Chapter 27 contains brief … |
| Through the Looking Glass | Fantasy and children's | Humour patterns: wordplay and portmanteau words (Chapter 6, Jabberwocky in Chapter 1), absurd logic (Chapter 5, jam tomorrow), physical comedy (White Knight falling, Chapter 8), and nonsensical arguments (Tweedledum … |
| A Little Princess | Fantasy and children's | Humour is gentle and often ironic: Sara's fluent French surprises Miss Minchin (Ch 2). Becky's fear of punishment contrasts with Sara's kindness (Ch 5). Sara's declaration of being a princess is both defiant and … |
| The Jungle Book | Fantasy and children's | Humour is gentle and situational: Mowgli's pride (chapter 2), the monkeys' foolishness (chapter 4), Rikki-tikki's bravery despite size (chapter 12). Banter is minimal; the tone is earnest and adventure-focused rather … |
| Five Children and It | Fantasy and children's | Banter is light and playful. The children tease each other about wishes. Cyril makes jokes about being a giant. Jane and Anthea bicker gently. The Psammead is grumpy and sarcastic. Humour comes from wish consequences … |
| The Railway Children | Fantasy and children's | Humour is gentle and situational: Peter's coal-mining (Ch 2), Bobbie's accidental train ride (Ch 4), Phyllis's imaginative comparisons (Ch 5). Banter is warm between siblings and with railway workers. No sharp wit; … |
| The Princess and the Goblin | Fantasy and children's | Humour is gentle and rare. Chapter 19: Curdie's rhyming songs mock the goblins ('If you do, It will disclose A horrid set Of sprouting toes'). Chapter 6: Irene's comment about the sun's face being washed is light. … |
| Peter and Wendy | Fantasy and children's | Humour comes from Peter's forgetfulness and cockiness (Ch 4, 10), Mr. Darling's childish tantrums (Ch 2), and the absurdity of the lost boys' games (Ch 7). Banter is light and playful rather than sharp or sarcastic. |
| The Worm Ouroboros | Fantasy and children's | Humour is sparse and dark: Corinius's drunken boasting (Section 13), Corsus's self-serving logic (Section 52), the martlet's dry observations (Section 1). Banter is minimal; the tone is grave and heroic throughout. |
| Anne of Green Gables | Fantasy and children's | Humour patterns: Anne's malapropisms and misunderstandings (calling Cordelia instead of Anne, confusing liniment for vanilla), Marilla's dry observations about Anne's behaviour, Matthew's silent amusement at Anne's … |
| Black Beauty | Fantasy and children's | Humour is gentle and rare. Merrylegs' story of throwing boys off (ch 9) is comic. The discussion of check-reins (ch 10) has dry irony. Jerry's refusal of Sunday work (ch 36) has quiet humour in his firmness. The … |
| Middlemarch | Literary | Humour is sparse and often ironic. Mrs. Cadwallader's wit (ch 7, 39) provides comic relief. Townspeople's gossip (ch 72) is darkly comic. Brooke's incompetence (ch 52) is played for mild humour. The novel's tone is … |
| Tess of the d'Urbervilles | Literary | Humour is sparse and dark. Dairyman Crick's stories provide comic relief (Chapter 21). Angel's brothers' mockery of Tess's boots (Chapter 44) is cruel humour. Alec's claim that he 'still serves in the groves' … |
| Mrs Dalloway | Literary | Banter is minimal. Humour is dry and observational rather than witty. Hugh Whitbread's social awkwardness (Section 12) provides light comedy. The novel's tone is serious and introspective, with occasional irony about … |
| To the Lighthouse | Literary | Banter is minimal. Humour appears in chapter 15 (dinner party lightness) and chapter 29 (Mr. Ramsay's delight in his boots). Most exchanges are serious or tinged with anxiety. Woolf's tone is contemplative rather … |
| Anna Karenina | Literary | Humour is sparse and often bitter. Stepan's charm creates light moments (Chapters 5, 110). Sergey Ivanovitch's intellectual pretensions are gently mocked (Chapters 70 to 72). Veslovsky's clumsiness provides comic relief … |
| Crime and Punishment | Literary | Humour is sparse. Razumihin's drunken infatuation (Chapter 15) provides light moments. Porfiry's rambling style (Chapter 25) has dark comic timing. Svidrigaïlov's cynical remarks (Chapter 21) are darkly witty. Most … |
| Madame Bovary | Literary | Humour is sparse and dark. Homais's pompous scientific claims provide comic relief (Ch 10, 20). The agricultural show's contrast between speeches and seduction (Ch 17) is darkly comic. Emma's hysteria (Ch 29) borders … |
| The Age of Innocence | Literary | Humour is dry and ironic. Chapter 4: Mrs. Mingott's physical description ('immense accretion of flesh') is comic. Chapter 5: Jackson's gossip about Ellen's scandal is presented with dark humour. Chapter 8: Ellen's … |
| Silas Marner | Literary | Humour is gentle and ironic: Mr. Macey's pedantic corrections (Ch 6, quote 20: 'As if ghos'es 'ud want to be believed in...'). The farrier's incompetence (Ch 6). Jem Rodney's suspicion (Ch 7). Village gossip about … |
| Adventures of Huckleberry Finn | Literary | Humour patterns: Huck's deadpan observations (Chapter 15, Solomon debate), Tom's romantic delusions (Chapter 35, case-knives), con men's absurd schemes (Chapter 24, naked king), Aunt Sally's exasperation (Chapter 38, … |
| Hamlet | Plays | Humour is dark and bitter. Hamlet mocks Rosencrantz and Guildenstern as 'sponges' (Scene 13, quote 30). He jokes about Polonius's body and worms (Scene 14, quote 32). Gravediggers make puns about death (Scene 19). … |
| Macbeth | Plays | Humour is sparse and dark. The Porter's bawdy jokes in scene 10 provide comic relief. Macbeth's bitter remarks about his situation (scene 25, quote 44) are darkly ironic. Lady Macbeth's sleepwalking confession (scene … |
| Romeo and Juliet | Plays | Banter appears between Romeo and Mercutio (chapter 10), with Mercutio making sexual jokes and Romeo deflecting with wit. The Nurse and Juliet banter about Romeo (chapter 11). Servants banter at the feast (chapter 6). … |
| Othello | Plays | Humour is sparse. The Clown provides low comedy in scenes 6 and 8 with puns. Iago uses crude jokes about Cassio and Desdemona in scene 4. Othello's jealous rant in scene 9 contains dark, bitter wordplay ('Lie with … |
| A Midsummer Night's Dream | Plays | Banter is light between the craftsmen in scene 2. Lovers' dialogue is passionate and urgent in scenes 1, 4, 6. Oberon and Titania's quarrel is formal and grand in scene 3. Puck's humour is mischievous throughout. … |
| Twelfth Night | Plays | Banter is frequent between Sir Toby and Sir Andrew (Scene 3), between the Clown and Viola (Scene 5), and between Sir Toby and Maria (Scene 8). Humour relies on wordplay, puns, and comic misunderstanding. The Clown's … |
| Doctor Faustus | Plays | Humour is found in Robin's petty magic and the Horse-courser's tricks. These comic scenes contrast with Faustus's tragic arc. Banter is light and episodic, not witty repartee. |
| The Importance of Being Earnest | Plays | Banter is the dominant humour pattern. Jack and Algernon trade witty remarks about eating, names, and deception. Gwendolen and Cecily use sharp wit to reject the men. Lady Bracknell delivers cutting remarks about … |
| A Doll's House | Plays | Humour is sparse and dark. Nora's playfulness with macaroons and her teasing of Helmer provide light moments in Act I. The humour fades as stakes rise. Rank's dry observations about illness offer grim wit. The play … |
| Hedda Gabler | Plays | Humour is dark and psychological rather than comedic. Hedda's remarks about Tesman's professorship and Aunt Julia's villa are tinged with contempt. Brack's flattery masks threat. Little banter; most dialogue carries … |
| Pygmalion | Plays | Humour comes from Doolittle's shameless mercenary nature and complaints about respectability. Higgins's arrogance and dismissive comments create dark humour. Eliza's crude remarks at the garden party shock and amuse. … |
| The School for Scandal | Plays | Banter is sharp and witty in chapters 1 and 4 where scandal-mongers mock women (quote 12). Charles and Careless banter about drinking and money (chapter 8). Sir Peter and Lady Teazle spar verbally (chapters 2, 3). … |
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