Book Anatomy · Science fiction
Anatomy of The Time Machine
H.G. Wells, 1895. Public domain in the UK and the US. Frame story; idea led plot.
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32,679 words
16 chapters
38% dialogue
17.1 words a sentence
first person
2.2 hours to read
Lessons to borrow
- Use a frame narrative to create scepticism and intimacy: the dinner party guests' doubt mirrors the reader's, making the Time Traveller's story more compelling when told in his own voice.
- Build mystery through gradual revelation: the Time Traveller discovers the Morlocks and Eloi slowly, with each clue deepening the puzzle rather than solving it immediately.
- End with ambiguity and loss: the Time Traveller's final vanishing and the loss of Weena leave the reader with questions rather than answers, making the story linger in memory.
All 180 lenses
The 20 lenses below are the most asked for. The full set of 180 is grouped in 12 pages:
Beat positions Both
Story and structure · lens A1 · compare across books
| Beat | Where | Our reading | |
|---|---|---|---|
| Inciting incident | Ch 2 (II), about 7% through | The Time Traveller demonstrates the working model and reveals he has built a full-size machine. | |
| First turning point | Ch 4 (IV), about 19% through | He arrives in the distant future and encounters the beautiful Eloi and the mysterious White Sphinx. | |
| Midpoint | Ch 8 (VIII), about 47% through | He discovers the Morlocks and realises the future world is divided between two human species in conflict. | |
| Low point | Ch 12 (XII), about 80% through | He loses Weena in the forest fire and is separated from her, grieving and alone. | |
| Climax | Ch 13 (XIII), about 86% through | He retrieves the Time Machine from the White Sphinx and escapes the Morlocks' trap. | |
| Resolution | Ch 16 (XVI), about 97% through | He returns to tell his story but vanishes again, leaving only flowers and mystery as proof. |
this lever, being pressed over, sends the machine gliding into the future, and this other reverses the motion (Ch 2, para 6)
The laboratory got hazy and went dark. Mrs. Watchett came in and walked, apparently without seeing me, towards the garden door (Ch 4, para 3)
the modification of the human type was even far more profound than among the ‘Eloi,’ the beautiful race that I already knew. (Ch 8, para 26)
I had slept, and my fire had gone out, and the bitterness of death came over my soul. (Ch 12, para 10)
Percent is the middle of that chapter as a share of all words. The beat labels are our AI reading of the chapter notes.
Chapter length chart Count
Pace · lens D1 · compare across books
16 chapters. Median 2,111 words, shortest 488, longest 4,222. Whole book 32,679 words, about 2.2 hours at 250 words a minute.
Each bar is one chapter in reading order. Hover for the title and count.
Dialogue share per chapter Count
Dialogue and voice · lens C1 · compare across books
38% of all words are dialogue. A further 49% is long told stories inside quote marks (a narrator within the story), which we count apart. Speech tags: "said" is 80% of tag verbs we found.
Cast and presence map Count
Character · lens B1, B2 · compare across books
| Character | Role (our reading) | Share of mentions | Chapters on page | First appears |
|---|---|---|---|---|
| Time Traveller | lead | 34% | 16 of 16 | Ch 1, para 2 |
| Weena | love interest | 15% | 7 of 16 | Ch 8, para 9 |
| Morlocks | antagonist | 13% | 7 of 16 | Ch 8, para 26 |
| Psychologist | ally | 7% | 4 of 16 | Ch 1, para 6 |
| Medical Man | ally | 7% | 4 of 16 | Ch 1, para 20 |
| Editor | ally | 6% | 2 of 16 | Ch 3, para 6 |
| Filby | minor | 5% | 3 of 16 | Ch 1, para 4 |
| Very Young Man | minor | 4% | 9 of 16 | Ch 1, para 36 |
| White Sphinx | foil | 3% | 8 of 16 | Ch 4, para 14 |
| Eloi | foil | 2% | 3 of 16 | Ch 8, para 26 |
| Journalist | ally | 2% | 2 of 16 | Ch 3, para 12 |
| Silent Man | minor | 2% | 2 of 16 | Ch 3, para 13 |
Who is on the page, chapter by chapter
| 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Time Traveller | ||||||||||||||||
| Weena | ||||||||||||||||
| Morlocks | ||||||||||||||||
| Psychologist | ||||||||||||||||
| Medical Man | ||||||||||||||||
| Editor | ||||||||||||||||
| Filby | ||||||||||||||||
| Very Young Man | ||||||||||||||||
| White Sphinx | ||||||||||||||||
| Eloi |
Most shared chapters: Time Traveller and Very Young Man (9), Time Traveller and White Sphinx (8), Time Traveller and Weena (7), Morlocks and Time Traveller (7), Morlocks and White Sphinx (6).
Counts use the names and aliases in our cast list. A name in narration or speech counts as a mention.
Chapter ending hooks AI
Pace · lens D8 · compare across books
Chapter endings: 5 quiet, 4 question, 4 reveal, 3 cliffhanger.
Chapters end with questions, reveals, and cliffhangers that propel the reader forward: the guests wonder what the Time Traveller will show them, the model vanishes, he returns battered, he discovers the Morlocks, he loses Weena, he escapes with the machine, and he vanishes again. The pacing alternates between exposition and action, with quiet moments of reflection followed by intense danger.
Every chapter ending
- Ch 1: question. The Time Traveller leaves to fetch something from his laboratory, leaving guests wondering what he will show them
Long ago I had a vague inkling of a machine (Ch 1, para 35)
- Ch 2: reveal. The model machine vanishes in front of all witnesses, and the Time Traveller reveals he has a larger machine nearly finished
- Ch 3: cliffhanger. The Time Traveller settles in to tell his story, and the Narrator notes the inadequacy of words to capture its quality
- Ch 4: reveal. He sees a small, beautiful creature approaching and regains confidence, suggesting the future holds wonders rather than horrors
At the sight of him I suddenly regained confidence. I took my hands from the machine. (Ch 4, para 15)
- Ch 5: quiet. He settles into learning their language and observing their customs, finding them indolent and easily fatigued
I never met people more indolent or more easily fatigued. (Ch 5, para 14)
- Ch 6: question. He realises his simple explanation may be only a half-truth or one facet of a larger mystery
Very simple was my explanation, and plausible enough—as most wrong theories are! (Ch 6, para 20)
- Ch 7: question. He decides to explore and learn rather than panic, recognising his situation as a trap of his own making
I had made myself the most complicated and the most hopeless trap that ever a man devised. (Ch 7, para 15)
- Ch 8: reveal. He discovers the Morlocks are carnivorous and realises they are the key to understanding the future world's mysteries
the modification of the human type was even far more profound than among the ‘Eloi,’ the beautiful race that I already knew. (Ch 8, para 26)
- Ch 9: quiet. He collapses at the surface, comforted by Weena and the other Eloi, having survived his ordeal
Even the soil smelt sweet and clean. Then I remember Weena kissing my hands and ears, and the voices of others among the Eloi. (Ch 9, para 14)
- Ch 10: quiet. The chapter ends with him watching stars and contemplating the vast sweep of time, then dismissing a horrible thought about the meat he saw
- Ch 11: quiet. He rests in a courtyard and reflects that matches are his best defence, feeling confident about forcing the bronze doors
I had in my possession a thing that was, perhaps, the best of all defences against the Morlocks—I had matches! (Ch 11, para 15)
- Ch 12: reveal. He discovers Weena is gone, lost to the fire, leaving him alone and grieving
I felt the intensest wretchedness for the horrible death of little Weena. It seemed an overwhelming calamity. (Ch 12, para 17)
- Ch 13: cliffhanger. He pulls the lever and vanishes into the grey light of time travel, heading forward into the far future
But at last the lever was fixed and pulled over. The clinging hands slipped from me. (Ch 13, para 15)
- Ch 14: question. He sees a mysterious moving creature on the beach and feels faint, then climbs back onto the machine to return
Then like a red-hot bow in the sky appeared the edge of the sun. I got off the machine to recover myself. (Ch 14, para 13)
- Ch 15: quiet. He returns to the familiar laboratory and prepares to tell his story to his guests
- Ch 16: cliffhanger. The Time Traveller vanishes three years ago and never returns, leaving only mystery and the flowers as evidence
The Time Traveller vanished three years ago. And, as everybody knows now, he has never returned. (Ch 16, para 28)
Viewpoint per chapter Both
Viewpoint and narration · lens E2 · compare across books
Counted: the narration is mostly first person (first person words per 1,000 outside speech: 56.6).
The narrative shifts from the unnamed Narrator's perspective in the frame story to the Time Traveller's first-person account of his journey, then back to the Narrator for the resolution. This dual perspective creates distance and intimacy, allowing readers to doubt and believe alongside the guests.
- Ch 1: The Narrator (unnamed guest)
- Ch 2 to 3: The Narrator
- Ch 4 to 9: The Time Traveller
- Ch 10 to 15: Time Traveller
- Ch 16: The Narrator (one of the guests)
Want and need of the lead AI
Character · lens B3 · compare across books
| Lead | Time Traveller |
|---|---|
| Wants | To prove his theory of time travel and explore the distant future. |
| Needs | To understand the true nature of humanity and accept the consequences of progress. |
| False belief | That humanity evolves toward perfect comfort and security, and that the future will be a golden age. |
| Arc | positive. He moves from naive optimism about the future to hard-won knowledge of human nature and time's vast indifference. |
Scene log AI
Story and structure · lens A4 · compare across books
One line per chapter: goal, conflict, outcome
| Ch | Summary | Goal | Conflict | Outcome |
|---|---|---|---|---|
| 1 | The Time Traveller explains to his dinner guests the theory of time as a fourth dimension and hints at a machine to travel through it. | The Time Traveller wants to convince his guests that time is a dimension like space and that travel through it is possible | His guests are sceptical and argue against his geometric reasoning, especially Filby | He reveals he has been working on a time machine and promises experimental proof |
| 2 | The Time Traveller demonstrates a small model of his time machine, which vanishes before the guests' eyes. | The Time Traveller wants to prove his theory by making the model machine disappear | The guests are arranged to watch carefully for tricks, and they struggle to understand how the machine could vanish | The model vanishes, leaving the guests amazed but still uncertain whether it is genuine or a clever illusion |
| 3 | The Time Traveller returns a week later in a battered state, having travelled eight days into the future, and prepares to tell his story. | The Time Traveller wants to recount his experience of time travel to his gathered guests | He arrives exhausted and injured, and the guests are sceptical and impatient; he insists on eating and resting before speaking | He agrees to tell his story in the smoking room without interruptions, having lived through eight extraordinary days |
| 4 | The Time Traveller describes his initial journey through time, the disorienting sensations, and his arrival in the distant future where he encounters a white sphinx and strange ruins. | The Time Traveller wants to reach the future and explore it | The sensations of time travel are agonising; he fears collision with matter; he crashes and finds himself in an unknown world | He lands in a hailstorm near a white sphinx monument and encounters the first signs of the future world |
| 5 | The Time Traveller meets the beautiful Eloi people, learns they are intellectually simple, and is taken to a great hall where he observes their peaceful but decadent society. | The Time Traveller wants to understand the people and culture of the future world | He discovers the Eloi are far less intelligent than he expected; they are childlike and easily distracted | He is welcomed, garlanded with flowers, and taken to a great hall where he observes their simple life and diet of fruit |
| 6 | The Time Traveller explores the future world, observes the absence of small houses and the similarity of the sexes, and theorises about humanity's evolution toward perfect comfort and security. | The Time Traveller wants to understand the social and physical changes in humanity | He observes ruins, the lack of agriculture, and the absence of sexual differentiation, which puzzle him | He develops a theory that humanity has achieved perfect security and comfort, leading to physical and intellectual decline |
| 7 | The Time Traveller discovers his machine is missing, searches frantically, and finds it hidden in the bronze pedestal of the white sphinx, realising the Eloi are not responsible. | The Time Traveller wants to find his machine and return home | The machine has vanished; he searches desperately and discovers it is hidden in the sphinx pedestal; the Eloi react with horror when he tries to access it | He realises a hidden power has taken the machine and that the Eloi are afraid of the sphinx; he resolves to be patient and learn more |
| 8 | The Time Traveller rescues a drowning Eloi named Weena, befriends her, and discovers evidence of an underground civilisation and a second human species called the Morlocks. | The Time Traveller wants to understand the world and recover his machine | He discovers mysterious wells and towers; he sees white ape-like creatures; he learns the Eloi fear darkness; Weena becomes attached to him | He realises humanity has split into two species: the Eloi above and the Morlocks below; he begins to understand the mystery of the machine's disappearance |
| 9 | The Time Traveller descends into the underground caverns, encounters the Morlocks directly, and barely escapes with his life, discovering they are carnivorous and hostile. | The Time Traveller wants to explore the underground and understand the Morlocks | The descent is physically difficult; the Morlocks are hostile and try to capture him; he runs out of matches | He escapes to the surface, exhausted and traumatised, but now understands the Morlocks are a threat |
| 10 | The Time Traveller realises the Morlocks hunt the Eloi at night and resolves to find shelter and weapons before darkness falls. | Find refuge and understand the threat posed by the Morlocks | The coming dark moon will bring the Morlocks to hunt; the palace is far away and difficult to reach | He reaches the Palace of Green Porcelain at dusk and decides to spend the night on an open hill |
| 11 | The Time Traveller explores the Palace of Green Porcelain, a ruined museum, and discovers matches, camphor, and an iron mace, crucial weapons against the Morlocks. | Find weapons and fire-making materials to defend against the Morlocks | The palace is vast and crumbling; Morlock sounds echo from the depths; time is running short before nightfall | He obtains matches, camphor, and an iron mace; he also finds dynamite cartridges that prove to be dummies |
| 12 | The Time Traveller and Weena flee through a dark forest pursued by Morlocks; he lights a fire that spreads uncontrollably, driving the creatures back but consuming the forest and separating him from Weena. | Escape the forest and reach safety before the Morlocks catch them | Darkness, exhaustion, pursuing Morlocks, and the uncontrolled spread of fire trap him in a burning wood | The forest burns; the Morlocks are driven back by the flames and light; Weena is lost in the chaos |
| 13 | The Time Traveller reaches the White Sphinx, finds the bronze doors open, retrieves his Time Machine, and narrowly escapes the Morlocks' trap by activating it. | Recover the Time Machine and escape the future world | The Morlocks have set a trap; the bronze doors close once he enters; his matches are lost | He fights his way to the machine and activates it, escaping into deeper time |
| 14 | The Time Traveller travels far into the future, witnessing the dying earth, a bloated red sun, strange crustacean creatures, and the approach of an eclipse before returning. | Understand the ultimate fate of the earth and humanity | The machine carries him forward uncontrollably; he witnesses a desolate, dying world with alien life forms | He observes the earth's final ages and the extinction of most life before reversing course |
| 15 | The Time Traveller returns to his laboratory in the present day, finding the machine has moved from its original position and bearing marks of his journey. | Return safely to his own time | The journey back is disorienting and he must navigate the reversed motion of time | He arrives back in his laboratory, shaken but alive, with physical evidence of his travels |
| 16 | The Time Traveller tells his story to his guests, who are sceptical; he shows them the machine and the flowers Weena gave him, then vanishes into time again, never to return. | Convince his guests of the truth of his journey and prepare for another expedition | His audience doubts his story; he struggles to believe it himself; he prepares to travel again | He disappears into the laboratory with the Time Machine, vanishing permanently |
Setups and payoffs AI
Story and structure · lens A8 · compare across books
| Planted | Pays off | |
|---|---|---|
| The theory of time as a fourth dimension (Ch 1) | The Time Machine is built and demonstrated as proof of the theory (Ch 2) | |
| The White Sphinx monument in the future (Ch 4) | The sphinx's bronze doors hide the Time Machine, revealing it as a key to the mystery (Ch 7) | |
| The Eloi's childlike nature and lack of intelligence (Ch 5) | They cannot help the Time Traveller recover his machine or explain the Morlocks (Ch 7) | |
| The mysterious wells and underground system (Ch 8) | The wells lead to the Morlock caverns where the Time Machine is hidden (Ch 9) | |
| Weena's fear of darkness and the Morlocks (Ch 8) | She is lost in the forest fire while fleeing the Morlocks at night (Ch 12) | |
| The Palace of Green Porcelain as a refuge (Ch 10) | The Time Traveller finds matches and weapons there to fight the Morlocks (Ch 11) | |
| Fire as a weapon against the Morlocks (Ch 11) | He uses fire to drive back the Morlocks but loses Weena in the blaze (Ch 12) | |
| The flowers Weena gave him (Ch 8) | The flowers serve as physical proof of his journey when he returns (Ch 16) |
any real body must have extension in four directions: it must have Length, Breadth, Thickness, and—Duration (Ch 1, para 12)
why should he not hope that ultimately he may be able to stop or accelerate his drift along the Time-Dimension (Ch 1, para 29)
this lever, being pressed over, sends the machine gliding into the future, and this other reverses the motion (Ch 2, para 6)
Speech fingerprints Count
Dialogue and voice · lens C3 · compare across books
| Character | Share of attributed speech | Lines | Words a line | Questions per 100 lines | Exclaims per 100 | Pet words |
|---|---|---|---|---|---|---|
| Time Traveller | 48% | 29 | 18.3 | 48.3 | 10.3 | machine, dimension, about, dimensions, space, line |
| Medical Man | 24% | 20 | 13.1 | 50.0 | 0.0 | move, about, really, space, cannot, don't |
| Psychologist | 18% | 14 | 14.2 | 14.3 | 14.3 | through, move, about, cannot, it's, gone |
| Filby | 6% | 11 | 5.8 | 18.2 | 9.1 | rather, large, thing, expect, begin, object |
| Editor | 5% | 6 | 8.8 | 33.3 | 33.3 | seems, pity, dinner, spoil, remarkable, behaviour |
We give a line to a speaker only when one cast name appears in the narration of that paragraph, so many lines stay unattributed. Treat the figures as a sample.
Sentence length per chapter Count
Pace · lens D2 · compare across books
Mean sentence 17.1 words, median 15. 27% of sentences are under 10 words and 11% over 30. In the last fifth of the book, chapters run at 62% and sentences at 86% of the earlier average.
Emotional arc shape Count
Pace · lens D7 · compare across books
Computed shape: Riches to rags (fall) (fit 0.79 on a scale of 0 to 1).
We score the mood of each paragraph with a standard word list, then average across 20 equal slices of the book and smooth it. It is a rough reading of word mood, not of plot, and old styles of English can fool it. Shapes follow Reagan and others (2016).
When the lead and the first dialogue arrive Count
Openings and endings · lens F3, F4 · compare across books
First line of dialogue: after 132 words (Ch 1, para 3), 0.4% into the book.
The lead, Time Traveller, is first named after 1 words (Ch 1, para 2). In a first person book the narrator may be on the page from the first line before we learn the name.
Mystery clue list AI
Genre craft · lens G4 · compare across books
| Clue | Kind | Laid | Explained | |
|---|---|---|---|---|
| The Time Traveller's dusty coat and blood-stained socks suggest physical hardship | clue | Ch 3 | Ch 9 | |
| The White Sphinx seems to watch with a smile, suggesting hidden knowledge | red herring | Ch 4 | Ch 7 | |
| The Eloi's lack of interest in the Time Traveller suggests they are not the dominant species | clue | Ch 5 | Ch 8 | |
| The Eloi's horror at the sphinx suggests it is taboo or dangerous | clue | Ch 7 | Ch 13 | |
| The wells and towers suggest a vast underground system | clue | Ch 8 | Ch 9 | |
| The Morlocks have a meal of red meat, suggesting they hunt large animals or the Eloi | clue | Ch 9 | Ch 10 | |
| The meat floating into his mind unbidden hints at Morlock cannibalism | clue | Ch 10 | Ch 10 | |
| The flowers are unknown to the Medical Man, suggesting they are from the future | clue | Ch 16 |
His coat was dusty and dirty, and smeared with green down the sleeves; his hair disordered, and as it seemed to me greyer (Ch 3, para 8)
One thing was clear enough to my mind. It took no very great mental effort to infer that my Time Machine was inside that pedestal. (Ch 7, para 12)
The Morlocks at any rate were carnivorous! Even at the time, I remember wondering what large animal could have survived to furnish the red joint I saw. (Ch 9, para 10)
Antagonist AI
Character · lens B7 · compare across books
| Who | Morlocks |
|---|---|
| Goal | To preserve their underground civilisation and maintain their food supply by hunting the Eloi. |
| Methods | Hunting at night, stealing the Time Machine, setting traps, and using the White Sphinx as a lure. |
| Shows their hand | Ch 8 |
| Our note | They are revealed as intelligent, organised, and carnivorous, representing humanity's darker evolutionary path. |
Tension curve AI
Pace · lens D6 · compare across books
Tension score per chapter, 1 to 5 (our AI reading). The novel accelerates from the slow dinner party exposition to rapid action in the future, with the Time Traveller's discoveries building tension. The return to the present slows the pace before the final vanishing, creating a sense of mystery and incompleteness.
Subplot thread map Both
Story and structure · lens A7 · compare across books
| 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Time machine theory and demonstration | ||||||||||||||||
| The mystery of the Morlocks and Eloi | ||||||||||||||||
| Weena's companionship and loss | ||||||||||||||||
| The search for and recovery of the Time Machine | ||||||||||||||||
| The dinner party and scepticism of guests | ||||||||||||||||
| The cosmic perspective of time and death |
- Time machine theory and demonstration: The Time Traveller proves his theory through demonstration and returns with physical evidence.
- The mystery of the Morlocks and Eloi: The Time Traveller gradually discovers the two species and their predator-prey relationship.
- Weena's companionship and loss: Weena becomes his companion and emotional anchor, but is lost in the forest fire.
- The search for and recovery of the Time Machine: The Time Traveller must find weapons and shelter to retrieve his machine from the Morlocks.
- The dinner party and scepticism of guests: The guests doubt the Time Traveller's story until he shows them the machine and flowers.
- The cosmic perspective of time and death: The Time Traveller witnesses the dying earth and heat death of the sun, gaining perspective on human concerns.
Motif tracker AI
Theme and motif · lens J3 · compare across books
- Light and darkness (Ch 4, 8, 9, 11, 12, 13): Light represents safety, knowledge, and human dominance; darkness represents danger, the Morlocks, and the unknown.
- Decay and ruin (Ch 4, 5, 6, 11, 14): The future world shows the decline of human civilisation and the inevitable decay of all things.
- Two worlds and two species (Ch 5, 6, 8, 9, 10): The division between Eloi and Morlocks represents the split of humanity into opposing classes and natures.
- Fire and weapons (Ch 9, 11, 12, 13): Fire and tools represent human intelligence and the ability to survive through knowledge and ingenuity.
- Escape and entrapment (Ch 7, 12, 13): The Time Traveller is repeatedly trapped and must use wit and courage to escape danger.
- Doubt and belief (Ch 1, 2, 3, 16): The guests struggle to believe the Time Traveller's story, reflecting the tension between evidence and scepticism.
There is a feeling exactly like that one has upon a switchback—of a helpless headlong motion! (Ch 4, para 4)
It seemed to me that I had happened upon humanity upon the wane. The ruddy sunset set me thinking of the sunset of mankind. (Ch 6, para 12)
I understood now what all the beauty of the Overworld people covered. (Ch 13, para 2)
The blinking succession of the days and nights was resumed, the sun got golden again, the sky blue. (Ch 15, para 2)
Signature words Count
Prose style · lens H3 · compare across books
Words this book uses far more than the other books on our shelf (log odds, at least 8 uses). Names often top the list.
Commercial facts card Research
Commercial facts · lens L1, L2, L4 · compare across books
| First published | 1895 |
|---|---|
| Author died | 1946 |
| Copyright | Public domain in the UK (author died 1946, so life plus 70 years has passed) and in the US (first published 1895, before 1931). |
| Length | 32,679 words in 16 chapters; about 2.2 hours to read |
| Genre | Science fiction |
| Sales and adaptations | Coming in a later phase, with sources. |
Method: counts come from a clean public domain plain text, split into chapters and paragraphs with stable IDs (for example c3p12 is chapter 3, paragraph 12, in reading order). Lenses marked AI are our AI reading of each chapter, made once and stored. Every quote shown was checked word for word against the text; 3 AI quotes for this book failed that check and were dropped.
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